It starts with a simple phone call – Ian and his wife, Em, are invited to come up to the country to spend a long weekend with Ollie (Ian’s best friend from university) and his wife, Daisy. What do you need to know about these two couples? Well, according to Ian:
‘The various ways in which we’re not like Ollie and Daisy is a conversation we often have. Indeed, we’ve spent far more time talking about them than in their presence. The essential contrasts, all to our disadvantage, go: large Georgian house in west London vs small modern semi in Ilkestone; Range Rover and BMW vs Ford Fiesta; Mauritius (Florence, Antigua etc.) vs Lanzarote (if we’re lucky); The Ivy vs Pizza Express; […] golden couple vs pair of ugly toads. I exaggerate but not much.’
Meet Ian, the narrator of this quietly chilling novel who wants to tell you what happened over the course of this long bank holiday weekend up at Badingley (the farm house).
‘As to the events of August, I don’t suppose I’ll ever get over them. I’m the kind of guy who feels guilty even when he’s innocent – expects to be stopped going through customs even when he has nothing to declare. But what happened that weekend would surely have happened anyway. It’s not like I’m a rapist or a murderer. Even if I were, I would be honest with you. I’m trying to tell the story, that’s all – not to unburden myself or extenuate some offence but to set things straight.’
And so we begin to hear what transpired over the last weekend of August. Sandwiched between tales of Ollie, Ian and Daisy’s time together at university (Ollie ‘stole’ Daisy from Ian), we are offered glimpses into the mechanics of friendship and rivalry, love and lust, money and class. A weekend meant to be fun and relaxing, is fused with a palpable tension when old rivalries resurface and pulse along to build up to a startling conclusion.
What needs to be made clear is that this is very much Ian’s version of events and as he’s so very honest about wanting to be honest and perhaps not remembering certain things as they happened, he very skilfully lures the reader over to his side.
‘My memory’s pretty good on the whole…And yet Badingley, which ought to be etched on my soul, slips away at times – or refuses to come into focus, like something wrapped in tissue and shut away in a drawer. Did Ollie really say this or Daisy that? I remember a mass of things but nothing distinctly.’
What works in Ian’s favour is that through his recounting of the events that shaped his and Ollie’s friendship back in university, the reader finds it very easy to dislike Ollie. But as the narrative progresses, we slowly begin to realise that things aren’t quite what they seem. Ian slowly emerges into your classic unreliable narrator, leaving the reader constantly weary and on edge. There is a chilling sense of foreboding throughout the novel, and it’s ultimately the desire to know what exactly it is that happened over this specific weekend that keeps you going. This is a highly atmospheric and compelling novel that deserves to be read in all its uncomfortable glory. And watch the miniseries if you can (featured on ITV last year, starring Rupert Penry-Jones) – although good, it’s not as subtle as the book.