Book Review: The Deep Whatsis by Peter Mattei

By his own admission Eric Nye is an asshole, ‘and not loyal to anyone, not even [him]self.’ He’s what you’d get if American Psycho‘s Patrick Bateman and Mad Men‘s Don Draper gave birth to a man-child. “Chief Idea Officer” at Tate, a New York City ad agency, the bonus on top of Eric’s already six figure salary is dependent on him firing 50% of his staff – a task that he carries out with “HR Lady”, relishes and draws out for his own entertainment.

‘We pretend with each other in big, long sighs that it was difficult work, very hard, we would go out afterwards and have a nice meal and get shitfaced and take limos home and expense it because of how difficult it was.’

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SO; all appears to have been going as well as could be expected in the life of Eric Nye until “Intern” entered his life. After an almost one night stand, Eric finds that despite the fact he can’t remember her name, she’s now interning at his agency. Intern soon begins to stalk him, turning up wherever he may be to the point where Eric starts to question who’s stalking whom. For no logical reason, he can’t seem to get her out of his head, leading to his slow unravelling… Another chance encounter leads to a complaint against him being filed with HR, but there’s something about Eric that makes it very difficult to believe everything he’s telling you.  Is the intern to have a cathartic effect on him?

Eric is a darkly fascinating character. A guy who says things like ‘For no reason I consider hitting on birch-like juice girl but I fear there is too high a chance she will say yes‘, and ‘I sit in a deck chair and face away from the beach; something about the ceaseless idiocy of one wave after another strikes me as profoundly imaginative‘, and who dismisses a beautiful view of the New York skyline as it’s ‘trying too hard.’ That he’s a jackass is no question, but he’s a hilarious jackass. Or at least I thought so. Even when he’s making certain staff members jump hoops, knowing full well he’s about to fire them, you can’t help but laugh because his cruel indifference knows no bounds (especially because at the office, when he’s not firing people, he does absolutely nothing).

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Living in a false world devoid of any real interactions, Eric struggles with his ‘unalterable inability to deal with [his] unreality.’ It doesn’t appear like he’s able to stay still; restless, deeply jaded and dissatisfied with what life has to offer:

‘Waiting, I realise, isn’t the time between things, it’s the thing itself.’

There are deep echoes of American Psycho here, but if you find the endless listing of material possessions to be boring, you’re missing the point entirely. That listing is what makes American Psycho a classic. The essential difference between Nye and Bateman is that Nye is mocking himself when he reels off his material possessions, aware of some of the absurdities, whereas Bateman loved himself (interestingly, Nye experiences self-loathing) and his possessions; full stop. What struck me as being quite amusing is that Eric neither desires or needs any of these ridiculously expensive items he owns, but he buys them because he can, and often bespoke so he can prove a point.

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For all that Eric lacks in character, he makes up for with the precision of his societal observations. He mocks the Brooklyn hipsters in a way that is so scathing, so sharp; I could not have articulated it better myself:

‘Never before have I seen so many people in one place who are exactly the same: the same age, the same race, the same wardrobe, the same facial hair, the same taste in music, socioeconomic background, college experience, shoes, political beliefs, and hair; but I suppose what really unites them is the shared fantasy that they are rebels.’

He goes to an art show called “Show Us Your Tits!” which features ‘lots of photos (taken, it seems, by anyone who can push the button on a camera) of girls flashing their breasts…I can’t decide if I like this show because it’s not really art at all, it’s just stupid, or if maybe I hate this shit because it’s trying so hard not to be art and there’s nothing more arty than that.’ Haha. Every major city has these hubs; in London the equivalent is Shoreditch/ Hackney.

Underneath the layers of dark wit and narcissism is an intelligent commentary on corporate America where we are told that ‘Advertising is how corporations outsource their lies.’

‘You see, what I think is interesting about what I do is that I personally don’t believe in what I do, or should I say that I believe very strongly that technology is actually destroying us as human beings, it’s taking away the fundamental truths about our humanity and making us pay to get them back: it’s called Creating Value.’

Without spoiling too much, the example he uses was quite an eye opener for me, showing how we have learned to buy back what was fundamentally ours to begin with.

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This is a highly entertaining read that is, in parts, hilarious, and although Eric is indeed an asshole of the highest degree (as it says on the spine of the novel, he’s ‘a character you’ll either love or hate. Probably hate.’) I couldn’t help but be taken in by his unashamed self-centredness.  And what, exactly, is the Deep Whatsis? Well, you’ll just have to read to find out.

I received my copy of The Deep Whatsis from the publisher (Other Press) via NetGalley in exchange for an honest review.

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The Best and Worst of Book to Movie Adaptations

Believe it or not, there are some books out there that were made into pretty damned good movies. It happens. Admittedly not very often, but it does. My top four best screen adaptations are as follows (in no particular order):

We Need to Talk About Kevin – Lionel Shriver

I was not thrilled with the casting of Tilda Swinton as Eva Khatchadourian or John C. Reilly as Franklin.  Quite possibly the most unlikely pairing I’ve ever witnessed on screen. Despite this, it was acted out brilliantly, was true to the book, and I don’t think it’s possible to have come across a more chillingly convincing Kevin.

Fight Club – Chuck Palahnuik

There’s a reason why this film has cult status. Dare I say it was a smidgen better than the book? It was visually quite amazing although reading/studying the book in university after I had watched the film, gave me a deeper appreciation of what Palahnuik was trying to do/say about masculinity and consumer culture.

American Psycho – Brett Easton Ellis

In my opinion, one of the best books ever written. And although nothing can quite capture the alluring monotony of the book, I think Christian Bale did a pretty damned good job in Patrick Bateman’s shoes. He was both horrifying and funny, a difficult combination to execute well.

The Slap – Christos Tsiolkas

This was very well done – very gritty, very real. Whoever’s idea it was to turn it into a mini series with each episode dedicated to a single character, was brilliant. With movies made from books, you’re usually always disappointed with casting and how it’s never quite how you visualised it. Not the case here – it was better! The script/actors really bought the moral complexity of the whole ‘slap’ situation to life.

And the ones that failed to live up to their books….

The Help – Kathryn Stockett

Very few people will agree with me on this. It’s not that the film was bad, but it was all so bright coloured and light hearted, doing very little to remind me that I actually cried when reading the book. Seriously, the film was like a comedy.

Bridget Jones: The Edge of Reason – Helen Fielding

I genuinely do love to watch the Bridget Jones series whenever I need something mindless to do. The first Bridget Jones movie is great, but the second one? They successfully managed to turn Bridget into a bumbling fool slash moron. Hopping around like an idiotic penguin, there’s no way I would be seen out with her let alone anyone resembling Mark Darcy. It’s almost as though because she’s ‘fat’, she has to be an idiot, the butt of every joke. The Bridget Jones in the book is not an idiot.

One Day – David Nicholls

The failure of this film still hurts me, and I know I’m not alone here. To say I was disappointed with this movie would be an understatement. I absolutely fell in love with the book then spent the hour and 47 minutes of the film wondering why on earth they chose Ann Hathaway to play someone supposedly from Yorkshire and why the chemistry between the two main characters was lukewarm at best. And don’t get me started on that whole thing about Dexter’s letter that was never delivered being omitted from the movie. The whole thing was just infuriating.

My Sister’s Keeper – Jodi Picoult

This has got to be the all time biggest book to movie FAIL. How you can just go and change the ending of a novel so that the meaning of the entire story is completely different to how the author intended, I don’t know. I have never been so infuriated by the ending of a movie as I was with this. By simply ignoring the author’s twist it’s just another story about dealing with cancer.

And just to finish off; Films that you probably didn’t know (but don’t care) were books first:

  • Charlie St. Cloud (Book called The Death and Life of Charlie St. Cloud by Ben Sherwood) – YAWN. Even Zack Efron’s face couldn’t save this disaster.
  • Love and Other Drugs (Book called Hard Sell by Jamie Reidy) – Half way through watching this film with my sisters, we paused, looked at one another and realised that we simply did not give a damn what happened to either Anne Hathaway or Jake Gylennhall. Filled with gratuitous nudity that was more embarrassing than titillating, this was an hour (that’s as far we could handle it) of my life I will never get back.
  • The Silver Linings Playbook (Book has the same name, written by Matthew Quick) – The most overrated film of 2012. Fact.
  • Riding In Cars With Boys (Book called Riding In Cars With Boys: Confessions of a Bad Girl Who Makes Good by Beverly Donofrio – Completely unmemorable.